{"id":488,"date":"2022-09-20T22:09:01","date_gmt":"2022-09-20T20:09:01","guid":{"rendered":"https:\/\/www.impatiences.org\/?page_id=488"},"modified":"2025-06-29T19:43:51","modified_gmt":"2025-06-29T17:43:51","slug":"equipe","status":"publish","type":"page","link":"https:\/\/www.impatiences.org\/en\/equipe","title":{"rendered":"Team"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”6%” bottom_padding=”6%” left_padding_desktop=”10%” constrain_group_2=”yes” right_padding_desktop=”10%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/5″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h2″ line_reveal_by_space_text_effect=”default” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Team” max_width=”550″]\n

<\/h2>\n[\/split_line_heading][divider line_type=”No Line” custom_height=”30″][nectar_responsive_text]Artistic Directors : Aliocha Imhoff & Kantuta Quir\u00f3s\u00a0<\/strong><\/p>\n

Founders and directors from 2010 to 2020: Alice Sch\u00ffler-Mallet and Philippe Terrier-Hermann<\/strong><\/p>\n

2023 edition
\nPrint design<\/strong>: a+b studio (Louise Bourlon-Treguier, Romane Airola)
\nVideo capture<\/strong>: Laurent Gaillardon
\nLogistical support<\/strong>: Kourmi Quiros
\nProduction<\/strong>: Expanding the Poem \/ le peuple qui manque \/ Cyb\u00e8le<\/p>\n

2025 edition<\/strong>
\nGraphic design<\/strong>: a+b studio (Louise Bourlon-Treguier, Romane Airola)
\nVideo recording<\/strong>: Laurent Gaillardon
\nStage management<\/strong>: Romain Dudek, Kourmi Quir\u00f3s
\nProduction<\/strong>: Expanding the Poem \/ le peuple qui manque<\/em>[\/nectar_responsive_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/5″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][team_member image_url=”490″ bio_alt_image_url=”490″ team_memeber_style=”bio_fullscreen_alt” image_loading=”lazy-load” team_member_bio_full_html=”html” name=”Aliocha Imhoff & Kantuta Quir\u00f3s” job_position=”Directors” social_icon_1=”fa fa-share-square-o” social_link_1=”https:\/\/www.lepeuplequimanque.org\/” social_icon_2=”fa fa-facebook-square” social_link_2=”https:\/\/www.facebook.com\/aliocha.imhoff” social_icon_3=”fa fa-facebook-square” social_link_3=”https:\/\/www.facebook.com\/kantuta.quiros” team_member_mini_bio=”Aliocha Imhoff and Kantuta Quir\u00f3s are curators, art theorists, filmmakers, founders and directors of the curatorial platform le peuple qui manque, created in 2005 which works between art and research. Kantuta Quir\u00f3s, born in La Paz (Bolivia) is lecturer at the University of Paris I. Aliocha Imhoff was born in Paris. He is since 2021, lecturer at the University Paris VIII.”]Aliocha Imhoff and Kantuta Quir\u00f3s<\/strong> are curators, art theorists, filmmakers, founders and directors of the curatorial platform le peuple qui manque, created in 2005 that works between art and research. Among their projects, Le proc\u00e8s de la fiction<\/em> (Nuit Blanche, 2017) was voted best art event of 2017 by Les Inrocks and Kunstkritikk and best speech event according to Le Monde. Let’s also mention recently Et que demandent-ils ? A devenir quelque chose<\/em>\u00a0(Lyon Biennale, 2019), A Debt of Times<\/em> (Konsthall C, Stockholm, 2018), Une Constituante Migrante<\/em> (Centre Pompidou, 2017), A Government of Times<\/em> (Rebuild Foundation, Chicago, and Halle 14, Leipzig, 2016).\u00a0\u00a0They published Les potentiels du temps<\/em> (Manuella Editions, 2016, with Camille de Toledo), selected as one of the 10 best essays of 2016 by Les Inrocks and edited Geoesthetics (Editions B42, 2014) and Histoires afropolitaines de l’art<\/em>, Revue Multitudes 53-54 (2014). Members of the editorial board of Multitudes review, they have been residents of the Rebuild Foundation (Chicago South Side, 2015) and the Ateliers M\u00e9dicis (2018). They are publishing in 2022, Who Speaks? in the Age of the Anthropocene (P.U.F., 2022).<\/p>\n

Kantuta Quir\u00f3s<\/strong>, born in La Paz (Bolivia) is a doctor of aesthetics (University of Paris I). Since 2022, she has been a lecturer at the University of Paris I after having been a professor of art theory at the Ecole Europ\u00e9enne d’Art de Bretagne in Rennes, after having been an associate lecturer at the Ecole Nationale Sup\u00e9rieure d’Architecture de Nantes and having taught at the Ecole des Mines Nantes. She also teaches at Ensa Mauritius (Mauritius). She has also held various institutional positions, notably from 2007 to 2011, at the Film Department of the Mus\u00e9e Nationale d’Art Moderne \/ Centre Pompidou.<\/p>\n

Aliocha Imhoff<\/strong> was born in Paris. Doctor in aesthetics, he is since 2021, lecturer at the University of Paris VIII, department of visual arts. He also exercised various institutional functions, in particular with the National Center of Arts. Plastiques.[\/team_member][split_line_heading animation_type=”line-reveal-by-space” font_style=”h5″ line_reveal_by_space_text_effect=”default” content_alignment=”left” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Co-funders” max_width=”550″]\n

<\/h2>\n[\/split_line_heading][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][team_member image_url=”492″ bio_image_url=”492″ team_memeber_style=”bio_fullscreen” image_loading=”default” team_member_bio_full_html=”html” name=”Alice Sch\u00ffler Mallet” job_position=”Co-founder” social_icon_1=”fa fa-user” social_link_1=”http:\/\/www.aliceschylermallet.com\/” social_icon_2=”fa fa-facebook-square” social_link_2=”https:\/\/www.facebook.com\/alice.mallet”]Alice Sch\u00ffler Mallet<\/strong>\u00a0is a visual artist and curator. She is interested in questions concerning the body, space, the charge of certain materials and their influence in space, their function and their use. She likes to divert some of these materials in order to produce shift and confusion, to find pre-existing images, archaic and universal, archetypes linked to the material or the place. She has exhibited her work in the Avivson and Mamia Bretesche galleries in Paris, Klaus Strickner in Vienna, the Mandal Gallery in Norway, the Malm\u00f6 Art Center in Sweden, the Lec tic tic gallery in Noum\u00e9a as well as in Mexico City and Dubai, Nuit Blanche d\u2019Oran 2012 and various festivals and events (Jeune Cr\u00e9ation 2012, DIVA Paris and New York, Video Appart, Paris, Journ\u00e9es du Patrimoine, Dieppe, Opus des for\u00eats, Chateauvillain Festival du lin, Normandy, Root 66, Hastings, MOCA Taipei). Her curatorial research pushes her towards interdisciplinarity, bringing together visual artists, scientists, critics, historians, musicians, architects, urban planners, landscapers, filmmakers, performers\u2026 She was curator of the Biennale le Temps d\u2019une mar\u00e9e in Dieppe, Normandy, co-curated with AWP in 2005 and 2007, then of the Diep festival with Philippe Terrier Herman and Sarah Michel in 2010, 2011, 2012, 2013 and Rosie Hermon in 2014, 2015, 2016 and 2018.\u00a0http:\/\/www.aliceschylermallet.com\/<\/a>[\/team_member][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][team_member image_url=”491″ bio_image_url=”491″ team_memeber_style=”bio_fullscreen” image_loading=”default” team_member_bio_full_html=”html” name=”Philippe Terrier-Hermann” job_position=”Co-founder” social_icon_1=”fa fa-user” social_link_1=”http:\/\/www.terrier-hermann.com\/” social_icon_2=”fa fa-facebook-square” social_link_2=”https:\/\/fr-fr.facebook.com\/terrierhermann”]Philippe Terrier-Hermann<\/strong> is an artist, photographer and filmmaker. After studying photography at the \u201cSchool of the Art Institute of Chicago\u201d he produced his first work \u201cintercontinental 1996-2000\u201d at the \u201cRijksakademie van Beeldende Kunsten\u201d in Amsterdam. Then he stayed in Brussels, Rome (Villa Medici, 2000), Paris (Cit\u00e9 des Arts, 2001), Tokyo (2003) and Los Angeles (Villa Medici Hors les Murs, 2011). Since 2000, he has exhibited at the National Center of Photography in Paris, at the Museum voor Fotografie in Antwerp, at the Sharjah Biennial in the United Arab Emirates, at the Contemporary Art Center of Castres, at the Villa Arson in Nice and at the Busan Biennial in South Korea. His videos have been screened at the Point Ligne Plan evenings at La F\u00e9mis in Paris, De Appel in Amsterdam, the Jeu de Paume and the Grand Palais in Paris, the Centro Reina Sofia in Madrid and the South London Gallery. Some are also part of the collections of the Mus\u00e9e National d\u2019Art Moderne, Centre Georges Pompidou in Paris. He has published 6 books \u201cFascination & Romans\u201d, \u201cInternationals\u201d, \u201c106 Japanese beauties\u201d and \u201c93 Dutch beauties\u201d with the Dutch publisher ARTIMO and then Veenman and with Bookstorming \u201cThe American Tetralogy\u201d and \u201cThe French Trilogy\u201d. In 2007, he is in charge of a photographic mission on the contemporary landscape, commissioned by the government of the Province \u201cZuid Holland\u201d, then in 2013\/14 of a public photo commission from the CNAP. He is founder and manager of the self-managed art center \u201cLa maison Gr\u00e9goire\u201d in Brussels. He is also a teacher-researcher at the ISBA in Besan\u00e7on and a professor in the Master of Photography at the ENSAV la Cambre in Brussels.<\/p>\n
\n
<\/div>\n<\/div>\n[\/team_member][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”6%” bottom_padding=”6%” left_padding_desktop=”10%” constrain_group_2=”yes” right_padding_desktop=”10%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible”…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-488","page","type-page","status-publish"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/pages\/488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":2,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/pages\/488\/revisions"}],"predecessor-version":[{"id":2518,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/pages\/488\/revisions\/2518"}],"wp:attachment":[{"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/media?parent=488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/categories?post=488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.impatiences.org\/en\/wp-json\/wp\/v2\/tags?post=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}