{"id":38,"date":"2021-04-27T20:56:45","date_gmt":"2021-04-27T18:56:45","guid":{"rendered":"https:\/\/www.diephaven.org\/?page_id=38"},"modified":"2022-10-03T14:11:53","modified_gmt":"2022-10-03T12:11:53","slug":"festival-diephaven-2018","status":"publish","type":"page","link":"https:\/\/www.impatiences.org\/en\/archives\/festival-diephaven-2018","title":{"rendered":"Festival diep~haven 2018"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; 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column_border_style=&#8221;solid&#8221;][nectar_global_section id=&#8221;739&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<h1>Festival diep~haven 2018<\/h1>\n<div class=\"_df_book df-lite\" id=\"df_74\"  _slug=\"diephaven-2018\" data-title=\"diephaven-2018\" wpoptions=\"true\" thumb=\"http:\/\/www.impatiences.org\/wp-content\/uploads\/2021\/04\/cover_terrafirma2018.jpeg\" thumbtype=\"\" ><\/div><script class=\"df-shortcode-script\" nowprocket type=\"application\/javascript\">window.option_df_74 = {\"outline\":[],\"backgroundColor\":\"transparent\",\"autoEnableOutline\":\"false\",\"autoEnableThumbnail\":\"false\",\"overwritePDFOutline\":\"false\",\"direction\":\"1\",\"pageSize\":\"0\",\"source\":\"http:\\\/\\\/www.impatiences.org\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/diep_haven_terrafirma2018.pdf\",\"wpOptions\":\"true\"}; if(window.DFLIP && window.DFLIP.parseBooks){window.DFLIP.parseBooks();}<\/script>\n<p class=\"texte_courant\"><em>Terra Firma takes as its starting point the shifting relationship between the human and the land and its vegetation (the \u2018vegetale\u2019), destabilising any assumptions that the earth that we stand on is inanimate or neutral ground.<br \/>\nThe festival investigates our expanded cross-Channel region of Normandy and East Sussex through the interventions of the human hand on the landscape, focusing on the garden, but also considering agricultural projects and other \u2018development\u2019 of natural resources. It explores the tensions that are created between human designs \u2013 the imposition of systems, technologies and philosophies onto nature &#8211; and the autonomous behaviours and intelligence that reside in the natural and, more specifically, the botanical world. It draws attention to the naivety of our own supposed mastery of nature, whilst focusing on the lessons that can be learnt from a more conciliatory approach \u2013 in re-thinking ourselves as the student and developing projects in partnership with our surrounds.<br \/>\nDespite the local focus and site-responsive nature of the festival commissions, there is much to connect the programme with more universal questions about how we live, which consistently arise through this return to the examination of our relationship to the natural environment.<br \/>\nKey to the thinking behind this edition of the festival and the wider diep~haven project, is an interest in interdisciplinary approaches and a desire to commission and exhibit works that move beyond the purely representational, that are active, performative and urgent in their consideration of our subject: the gestures that we make in the landscape, and an understanding of nature itself as a series of gestures.<\/em><\/p>\n<p><em>With: Sophie Agnel, Gabriela Albergaria, Matthew Beach, Mark Brown, Mathieu Douzenel, Sarah Duffy, Azadeh Fatehrad, Dominique Ghesqui\u00e8re, Freya Gabie, Anna Ga\u00efotti, Leonora Hamill, Antoine Hummel, Gertrude Jekyll, Essi Kausalainen, Perrine Lievens, Micheline Leli\u00e8vre, Alice Sch\u00ffler Mallet, St\u00e9phanie Nava, John Newling, Christian Prigent, Aur\u00e9lie Sement, Nathalie Quintane, Agathe Shneider, Madeline Grammatico, Jodeph Baudart, Wu Ting Chia, Cl\u00e9mence Duboutier<\/em><\/p>\n<p><a href=\"https:\/\/diepfestival.wixsite.com\/diephaven2018\" target=\"_blank\" rel=\"noopener\">https:\/\/diepfestival.wixsite.com\/diephaven2018<\/a>[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":76,"parent":25,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page_pad.php","meta":{"footnotes":""},"categories":[],"tags":[6],"class_list":["post-38","page","type-page","status-publish","has-post-thumbnail","tag-archives"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Archives 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 Festival diep~haven 2018 Terra Firma takes as its starting point the shifting relationship between the human and the land and its vegetation (the \u2018vegetale\u2019), destabilising any assumptions that the earth that we stand on is inanimate or neutral ground. The festival investigates\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"RoFJavFKSFXLy-PjV6yGcumiQsNtw-keILKFZeuxJsI\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.impatiences.org\/en\/archives\/festival-diephaven-2018\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"school of impatiences - L\u2019\u00c9cole des Impatiences est un festival qui fait la part belle aux d\u00e9bats d&#039;id\u00e9es, \u00e0 la pens\u00e9e contemporaine, aux arts visuels, \u00e0 la litt\u00e9rature, pens\u00e9 \u00e0 partir de nos impatiences \u00e9cologiques, sociales, artistiques.\" \/>\n\t\t<meta property=\"og:type\" content=\"non_profit\" \/>\n\t\t<meta property=\"og:title\" content=\"Festival diep~haven 2018 - school of impatiences\" \/>\n\t\t<meta property=\"og:description\" content=\"Archives 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 Festival diep~haven 2018 Terra Firma takes as its starting point the shifting relationship between the human and the land and its vegetation (the \u2018vegetale\u2019), destabilising any assumptions that the earth that we stand on is inanimate or neutral ground. 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