{"id":313,"date":"2021-09-21T16:12:10","date_gmt":"2021-09-21T14:12:10","guid":{"rendered":"https:\/\/www.diephaven.org\/?page_id=313"},"modified":"2023-05-27T15:28:28","modified_gmt":"2023-05-27T13:28:28","slug":"dimanche-24-octobre-2021","status":"publish","type":"page","link":"https:\/\/www.impatiences.org\/en\/archives\/festival-diephaven-2021\/dimanche-24-octobre-2021","title":{"rendered":"Diep~Haven 2021 – Sunday October 24th 2021"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”664″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”padpage” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sunday, October 24, 2021<\/h3>\n

Diep~haven 2021 Festival<\/strong>
\nfestival of ideas and contemporary art<\/p>\n

where<\/strong>:
\nD.S.N. \u2013 Dieppe Sc\u00e8ne Nationale, Normandy<\/p>\n

when :<\/strong>
\n2-4pm at D.S.N, Great Hall
\n6:30-10pm at D.S.N, Great Hall<\/p>\n

With Ludivine Bantigny<\/strong>, historian, Alexandre Gefen<\/strong>, literary theorist, No\u00e9mi Lefebvre<\/strong>, writer, poet<\/p>\n

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2:00-3:00 pm at D.S.N. \u2013 Dieppe Sc\u00e8ne Nationale, Great Hall<\/strong><\/p>\n

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Alexandre Gefen, literature theorist<\/p><\/div>\n

Politics of literature
\nConference and meeting with Alexandre Gefen<\/strong>
\n“After having despaired of political commitment and action, the return of writers to the city is a major inflection in contemporary literature. Whether it is to defend ecological or feminist causes, to promote social and environmental justice, to go into the field to work with the invisible and the dominated, or on the contrary to defend cultural identities, the repoliticization of contemporary literature is multifaceted and manifest. It is on this bifurcation that I propose to reflect.” (A.G.)
\nDirector of research at the CNRS unit “Theory and History of Modern Art and Literature” (UMR7172, THALIM, CNRS \/ Universit\u00e9 Sorbonne Nouvelle – Paris 3), Alexandre Gefen<\/strong> works on the history of ideas and contemporary literature, epistemology and literary theory.\u00a0Founder of the Fabula.org website, he is also interested in digital humanities, networked writing and popular cultures.\u00a0He is also a literary critic.\u00a0Latest publications: R\u00e9parer le monde. La litt\u00e9rature fran\u00e7aise face au XXIe si\u00e8cle<\/em>, Corti, 2017. With Sandra Laugier, Le Pouvoir des liens faibles<\/em>, CNRS \u00e9ditions, 2002.\u00a0Territoires de la non-fiction<\/em>, Brill, 2020. With Olivier Bessard-Banquy and Sylvie Ducas, Best-sellers. L’industrie du succ\u00e8s<\/em>, Armand Colin, 2021. L\u2019id\u00e9e de litt\u00e9rature. De l\u2019art pour l\u2019art aux\u00a0\u00e9critures d\u2019intervention<\/em>, Corti, 2021.<\/p>\n

3:00-4:00 pm at D.S.N. \u2013 Dieppe Sc\u00e8ne Nationale, Great Hall<\/strong><\/span><\/p>\n

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Ludivine Bantigny, historian<\/p><\/div>\n

Ludivine Bantigny<\/strong> is a historian. She is a lecturer in contemporary history at the University of Rouen-Normandy and a specialist in the history of May ’68 and the contingent during the Algerian War.<\/p>\n

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6:30-10pm at D.S.N. \u2013 Dieppe Sc\u00e8ne Nationale, Great Hall<\/strong><\/p>\n

\"\"<\/a>

No\u00e9mi Lefebvre, writer, poet<\/p><\/div>\n

Words words words words – No\u00e9mi Lefebvre<\/strong>
\n“To give to distribute to attribute to grant to obtain to carry to have to keep to appropriate to monopolise to address to pass to cut to return to lose to limit to take the word, \u00a0to speak not to be silent or to speak to speak, for what good, to say what, to make what?
\nTo carry the verb “to be” high by knowing how to say, to have the art of language, to measure what speaking means, to master forms and formulas and yet to say nothing.Or to make no point or to make it heard and yet to really speak about something important and urgent.
\nIs the power of poetic speech in the absence of performative intention? Starting with an improvised setting of Parle, we will try to take language back to zero and we will ask ourselves how to hear what does not speak, why speak, how to say what to do, how to act in order not to remain silent, whether we should speak about everything or nothing and whether we have not, in the end, spoken too much.
\nReading and words in free improvisation”. No\u00e9mi Lefebvre<\/p>\n

Born in 1964 in Caen, No\u00e9mi Lefebvre<\/strong> lives in Lyon. With Verticales, she has published four fictions that have been well received critically and abroad: L’Autoportrait bleu<\/em> (2009; translated into Italian by Safara, in English by Sophie Lewis, published by Les Fugitives\/London and Transit Books\/USA, Canada, 2017), L’Etat des sentiments \u00e0 l’\u00e2ge adulte<\/em> (2012), L’enfance politique<\/em> (2015), Po\u00e9tique de l’emploi<\/em> (2017, translated into English by Sophie Lewis, ed. Les Fugitives<\/em>, to be published in February 2021), Parler<\/em> followed by Tais-toi<\/em> (2021)<\/p>\n

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