\nfestival of ideas and contemporary art.<\/p>\n
where<\/strong>: when:<\/strong> With Microsillons<\/strong>, Marianne Guarino-Huet & Olivier Desvoignes, artists, Frank Smith<\/strong>, poet, L\u00e9na Balaud<\/strong>, philosopher and agricultural researcher, Diego Landivar<\/strong>, economist, Yann Moulier-Boutang<\/strong>, philosopher and economist, Eric Lecerf<\/strong>, philosopher, Bertrand Ogilvie<\/strong>, philosopher, Romain Bertrand<\/strong>, historian. And in distanciel, Alexander Neumann<\/strong>, sociologist, Silvana Rabinovich<\/strong>, philosopher, Fr\u00e9d\u00e9ric Rambeau<\/strong>, philosopher.<\/p>\n The bookshop La Grande Ourse<\/strong>, partner of the festival, will be present at Dieppe Sc\u00e8ne Nationale on Saturday 23 October to present the books of the different speakers.<\/p>\n 10am-12pm at D.S.N, Great Hall The microsillons<\/strong><\/em> collective will present its research on the critical pedagogue Paulo Freire (1921-1997) and the forms of artistic and pedagogical re-engagement that have emerged from it. This presentation will be followed by a sequence in which everyone will be invited to reflect on the subjects, tools or tactics that we should urgently educate ourselves to re-imagine the world in common. To do this, a bundle, whose shape is inspired by the blob – a single-cell organism capable of learning and transmitting its learning – will serve as a generating tool. This object is a patchwork of proposals, voices, languages and positions on contemporary educational issues.<\/p>\n microsillons, Marianne Guarino-Huet & Olivier Desvoignes, artists<\/p><\/div>\n Created in 2005 in Geneva by Marianne Guarino-Huet and Olivier Desvoignes<\/strong>, the collective microsillons develops collaborative artistic projects engaged in a social and civic debate, based on strategies derived from critical and feminist pedagogies. <\/p>\n 2pm-4pm at the D.S.N. Dance Studio<\/strong><\/p>\n Frank Smith, poet<\/p><\/div>\n Poetic Atlas of Solidarity – <\/em>Someone in S-o-l-i-d-a-r-i-t-y<\/em><\/strong> Composed of a series of juxtaposed propositions, which unfold, increase and unfold, this unpublished text* wages a “war after the wars”: it wants to say the urgency to live, to desire, to understand, to tolerate, to say and to support in front of the others – before it is too late. A force of interpellation that weaves a certain form of community in an everyman’s world. <\/p>\n 4-6pm at D.S.N, Great Hall \u00a0<\/strong><\/p>\n L\u00e9na Balaud, philosopher and agricultural engineer<\/p><\/div>\n L\u00e9na Balaud<\/strong> holds a degree in agricultural engineering. She is now a farmer and independent researcher in political philosophy. She is a member of the editorial board of the online journal Terrestres<\/em>. With Antoine Chopot, she published Nous ne sommes pas seuls. Politique des soul\u00e8vements terrestres<\/em>, published by Editions du Seuil, Anthropocene collection (2020). What happens to “politics” when women farmers and environmentalists disseminate herbicide-resistant seeds in GMO monocultures to sabotage yields? Other ways of doing things, of defending ourselves, of resisting, are ahead of us, destabilizing us and strengthening us: animal, plant, forest, microbial, fungal ways… Our allies are multiform, considerably more numerous and diverse than our imagination allows. This treatise of terrestrial political ecology opens new horizons to act with nature against those who collapse it.<\/p>\n Yann Moulier-Boutang, philosopher and economist<\/p><\/div>\n Yann Moulier-Boutang<\/strong> is a French economist and philosopher. In 1968, he participated in the March 22 movement and then in the Cahiers de Mai<\/em>. From 1970 to 1975, he was a student at the \u00c9cole normale sup\u00e9rieure. He joined the operaist theses in 1970 and in 1972 participated in the creation of the journal Mat\u00e9riaux pour l’intervention<\/em>. In 1973, he met Toni Negri, who would have a lasting influence on his work and to whom he would be very close in the years 1980-2007. Since 2000, he has been the director of the journal Multitudes<\/em>, where he regularly publishes articles of substance or reaction to current events, on his favorite subjects such as a total overhaul of our taxation system via a pollen tax on flows, or the political stakes of the digital age. After teaching at the \u00c9cole normale sup\u00e9rieure and the Institut d’\u00e9tudes politiques de Paris, he is a professor of economics at the Universit\u00e9 de technologie de Compi\u00e8gne. He was International Adjunct Professor at the Fernand-Braudel Center of the State University of New York at Binghamton (USA). An advocate of unconditional basic income, he justifies it in his book L’Abeille et l’\u00c9conomiste<\/em> (2010) by the fact that all humans create economic value, like bees during pollination. According to him, the basic income is not a redistributive system but a “reward for the pollination” of each citizen. His publications include Le Capitalisme cognitif : la nouvelle grande transformation<\/em>, ed. Amsterdam, 2007 and Yann Moulier-Boutang, De l’esclavage au salariat : \u00e9conomie historique du salariat brid\u00e9<\/em>, Paris, Presses universitaires de France, 1998. Althusser : une biographie<\/em> (1re partie), Grasset, 1992 (reprinted in pocket in 2002).<\/p>\n Diego Landivar, economist<\/p><\/div>\n <\/p>\n Diego Landivar<\/strong> is a Doctor of Economics and a former student of the Ecole Normale Sup\u00e9rieure. His work focuses on ontological reconfigurations, in the context of the Anthropocene, from an anthropological perspective. These questions have led him to investigate cosmopolitical reconfigurations in Andean countries, the rights of entities of nature and non-humans, Indianism, the status of technical objects, controversies around the ecological transition, the ecological redirection of organizations, territorial ontologies, and the decolonization of Mars.\u00a0 He is co-founder and director of the Origens Medialab.\u00a0 He advises various territories and public authorities in search of identity singularity and ecological alternatives. He is also co-founder of the PEOPLE Program. Latest publication: (with Alexandre Monnin, Emmanuel Bonnet), H\u00e9ritage et fermeture, pour une \u00e9cologie du d\u00e9mant\u00e8lement<\/em> (\u00e9ditions Divergence, 2021)<\/p>\n <\/p>\n
\nD.S.N. \u2013 Sc\u00e8ne Nationale de Dieppe, Normandy
\nDieppe fish auction (Port of Dieppe)<\/p>\n
\n10am-12pm at D.S.N, Great Hall
\n2-4pm at D.S.N. Dance Studio
\n4-6pm at D.S.N, Great Hall
\n6-8pm at La Cri\u00e9e
\n8:30-10pm at D.S.N, Great Hall<\/p>\n
\nPedagogical Bifurcations
\nWorkshop<\/strong><\/p>\n![\"\"](\"https:\/\/www.diephaven.org\/wp-content\/uploads\/2021\/09\/microsillons.jpeg\")
<\/a>
\nThe collective has collaborated with numerous cultural institutions including the Garage (Moscow), 116 – center d’art contemporain (Montreuil), VANSA (Johannesburg), the WYSPA Institute (Gdansk), the Centre d’art contemporain du Parc St-L\u00e9ger or Le Centre d’art contemporain Gen\u00e8ve, where it was in charge of mediation projects between 2008 and 2010. Since 2015, microsillons is responsible for the Master TRANS- Socially engaged artistic practices, at HEAD – Geneva. microsillons has participated in several research supported by the Swiss National Fund for Scientific Research and published in 2019 “Motifs incertains – Enseigner et apprendre les pratiques artistiques socialement engag\u00e9es” (Presses du r\u00e9el). The collective is the recipient of a mediator grant from the City of Geneva (2007) and a Swiss Art Award (2008) (finalists in the cancelled 2020 edition). Marianne Guarino-Huet and Olivier Desvoignes hold PhDs from the University of the Arts London.<\/p>\n<\/a>
\nGroup reading proposed by Frank Smith<\/p>\n
\nThrough this collective reading, each spectator is invited to read, to create a multitude of voices. For this poetic atlas of solidarity seeks an exploration of links – a polyphony of crowds, a choir in motion – in a perspective open to the future.
\n*Text conducted in 2021 within the framework of the “Writers’ residency programme of the \u00cele-de-France Region”.
\n<\/span>
\nFrank Smith<\/strong> is a writer and video artist. He is represented by the Galerie Analix Forever (Geneva). He is the creator of the Bureau d’Investigations Po\u00e9tiques from which he explores the junctions between Poetry, Politics and Image – through books, films, installations, exhibitions and performances. Thus are delivered “protocols of experimentation that question the possibility, the efficiency, the performativity of literature and film.” (V. Bergen, art press). Frank Smith has published about twenty books to date and has been developing a forensic poetics since the publication of GUANTANAMO (Seuil, 2010, and Les Figues Press, Praise by Avital Ronell, Los Angeles, 2014) – crowned best book of the year by The Huffington Post. In the wake of these publications, he makes films and video installations in which the non-relation between Seeing and Speaking is put into practice and from which the arcanes of a new “poetry cinema” are laid. All his films have been presented at the Centre Georges-Pompidou in Paris. Next film: THE FILM OF THE IN-BETWEEN, dedicated to the border between the two Koreas. Next book to be published: IRAK 24 HOURS, Cr\u00e9aphis editions, in homage to Julian Assange.<\/p>\n
\nEcological bifurcations and redirections
\nEncounter, talks
\n<\/strong>How to bring non-humans into politics? In the face of climate catastrophe, how can we fork our existing infrastructures? Should humanity be prepared to “close down” what is destroying it, according to the proposals made by the economist Diego Landivar*, among others? Can capitalism help us do this?<\/p>\n<\/a><\/a><\/a>