{"id":2358,"date":"2025-06-28T14:57:47","date_gmt":"2025-06-28T12:57:47","guid":{"rendered":"https:\/\/www.impatiences.org\/?page_id=2358"},"modified":"2025-07-16T16:39:47","modified_gmt":"2025-07-16T14:39:47","slug":"2025-07-26","status":"publish","type":"page","link":"https:\/\/www.impatiences.org\/en\/ecole-des-impatiences-2025\/2025-07-26","title":{"rendered":"The School of Impatiences – Saturday, July 26, 2025"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” 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Saturday, July 26, 2025<\/h1>\n[\/nectar_highlighted_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”right” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” offset=”vc_hidden-xs”][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”custom” bg_color_custom=”#0a0a0a” 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column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”2pm \u2192 5pm” font_container=”tag:h1|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751213667239{margin-bottom: 10px !important;}”][nectar_highlighted_text style=”scribble” scribble_shape=”basic-underline” scribble_thickness=”thin” scribble_speed=”1.8s” scribble_easing=”ease_in_out”]Lawn of the Dieppe Castle Museum<\/em>, free admission<\/p>\n
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<\/div>\n<\/div>\n[\/nectar_highlighted_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line”][vc_custom_heading text=”Politics of psychoanalysis” font_container=”tag:h2|font_size:40|text_align:left|line_height:50px” use_theme_fonts=”yes”][vc_custom_heading text=”Lectures and round table discussion with Silvia Lippi, Fabrice Bourlez, Florent Gabarron-Garcia, psychoanalysts” font_container=”tag:h5|text_align:left|color:%23282828″ use_theme_fonts=”yes” css_animation=”none” css=”.vc_custom_1751213763967{margin-bottom: 10px !important;}”][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css_animation=”none” css=”.vc_custom_1751213787152{margin-top: 30px !important;margin-bottom: 30px !important;}”]While psychoanalysis seemed, for at least two decades, to have shifted toward conservatism, several recent books aim to restore its emancipatory dimension, reinserting it at the heart of a history of domination. Contrary to a psychoanalysis that promotes disengagement, Florent Gabarron-Garcia, Fabrice Bourlez, and Silvia Lippi & Patrice Maniglier support the idea, at the very least, of an engaged psychoanalysis.<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”1%” bottom_padding=”0″ left_padding_desktop=”12%” constrain_group_2=”yes” right_padding_desktop=”12%” left_padding_tablet=”5%” constrain_group_4=”yes” right_padding_tablet=”5%” left_padding_phone=”3%” constrain_group_6=”yes” right_padding_phone=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”Lippi” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”0.1″ background_hover_color_opacity=”0.1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”From the crowd to the sorority: psychoanalysis of groups \u2014 fascists and feminists” font_container=”tag:h2|font_size:40|text_align:left|line_height:50px” use_theme_fonts=”yes”][vc_custom_heading text=”Meeting with Silvia Lippi, psychoanalyst” font_container=”tag:h5|text_align:left|color:%23282828″ use_theme_fonts=”yes” css_animation=”none” css=”.vc_custom_1751213897591{margin-bottom: 10px !important;}”][vc_column_text css_animation=”none” css=”.vc_custom_1751213885136{margin-top: 30px !important;margin-bottom: 30px !important;}”]\n

Psychoanalysis has often viewed feminist movements as aggregative modalities reminiscent of the crowds described by Freud in Group Psychology and the Analysis of the Ego. But can we say that the same unconscious processes are at work in the formation of such different collectives? The aggregative force of a crowd consists of the repression of trauma and identification with an all-powerful father figure, whereas in #MeToo, it is the return of the repressed in the suffering body of each woman that brings them together in an \u201cidentification not by symptom.\u201d If a crowd unified around an all-powerful father easily leads to fascism, what are the consequences for a sisterhood collective united by a shared symptom?<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”2375″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” margin_left=”30%”][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2334″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” mask_enable=”true” mask_size=”contain” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Silvia Lippi” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751115712400{margin-bottom: 10px !important;}”][vc_column_text]\n

Silvia Lippi<\/strong> is a psychoanalyst. With a background in philosophy, she holds a doctorate in psychology and works as a hospital psychologist at the Barth\u00e9l\u00e9my Durand Public Health Facility in \u00c9tampes. She develops a form of psychoanalysis that pays particular attention to psychotic experiences and issues raised by contemporary minority groups. Her latest book is Soeurs, Pour une psychanalyse f\u00e9ministe<\/em> (Seuil, 2023, with Patrice Maniglier), and her next publication will be Freud l\u2019ingouvernable<\/em> (Stilus, Oct. 2025).<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”1%” bottom_padding=”0″ left_padding_desktop=”12%” constrain_group_2=”yes” right_padding_desktop=”12%” left_padding_tablet=”5%” constrain_group_4=”yes” right_padding_tablet=”5%” left_padding_phone=”3%” constrain_group_6=”yes” right_padding_phone=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”Bourlez” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”0.1″ background_hover_color_opacity=”0.1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”How do we talk to others? How do we interpret? How do we address others? How do we work in a psychoanalyst’s office?” font_container=”tag:h2|font_size:40|text_align:left|line_height:50px” use_theme_fonts=”yes”][vc_custom_heading text=”Encounter with Fabrice Bourlez, psychoanalyst” font_container=”tag:h5|text_align:left|color:%23282828″ use_theme_fonts=”yes” css_animation=”none” css=”.vc_custom_1751213963184{margin-bottom: 10px !important;}”][vc_column_text css_animation=”none” css=”.vc_custom_1751213983716{margin-top: 30px !important;margin-bottom: 30px !important;}”]\n

All these questions begin to find their answers if we ask ourselves another question: how do we listen? We often believe that working with the unconscious is a sophisticated, complex, abstract task. In reality, working with the unconscious scene means working with the diversity of bodies, genders, desires, and pleasures in all their multiplicity. It involves technical, metapsychological, but also political work. It involves an attempt to make our listening more flexible. It involves a pluralization of the word \u201ctact.\u201d<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”2367″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” margin_left=”30%”][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2324″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” mask_enable=”true” mask_size=”contain” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Fabrice Bourlez” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751115724615{margin-bottom: 10px !important;}”][vc_column_text]\n

Fabrice Bourlez<\/strong> is a psychoanalyst in Paris. He teaches philosophy at art schools (ESAD Reims\/ENSBA Paris) and is a lecturer in psychology at Paris Cit\u00e9. He is a permanent member of the Paris 8 LEGS laboratory on gender and sexuality. He teaches clinical practice at the International Institute of Psychoanalysis. He wrote Pulsions pasoliniennes<\/em> in 2015, Queer psychoanalysis<\/em> in 2018, and Tacts in 2025.<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”1%” bottom_padding=”0″ left_padding_desktop=”12%” constrain_group_2=”yes” right_padding_desktop=”12%” left_padding_tablet=”5%” constrain_group_4=”yes” right_padding_tablet=”5%” left_padding_phone=”3%” constrain_group_6=”yes” right_padding_phone=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”Gabarron-Garcia” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”0.1″ background_hover_color_opacity=”0.1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”A popular history of psychoanalysis” font_container=”tag:h2|font_size:40|text_align:left|line_height:50px” use_theme_fonts=”yes”][vc_custom_heading text=”Encounter with Florent Gabarron-Garcia, psychoanalyst” font_container=”tag:h5|text_align:left|color:%23282828″ use_theme_fonts=”yes” css_animation=”none” css=”.vc_custom_1751214060306{margin-bottom: 10px !important;}”][vc_column_text css_animation=”none” css=”.vc_custom_1751214047386{margin-top: 30px !important;margin-bottom: 30px !important;}”]\n

Psychoanalysis has not always been the school of resignation that it has become. Its conservative transformation, which leads caregivers and patients to focus on individuals’ private ills, was by no means inevitable. It is in fact the result of a double limitation: from the unconscious to the repressed, and from the repressed to the Oedipus complex. For psychoanalysis to cease being a tool for reproducing the social order and once again become a school of hope, it must be refocused on reality\u2014which often means refocusing on politics.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”2368″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” margin_left=”30%”][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2325″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” mask_enable=”true” mask_size=”contain”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Florent Gabarron-Garcia” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751115789490{margin-bottom: 10px !important;}”][vc_column_text]\n

Psychoanalyst and psychologist Florent Gabarron-Garcia<\/strong> is a lecturer at Paris VIII University and a member of the journal Chim\u00e8res, founded by Deleuze and Guattari. Trained at the La Borde clinic, he worked in psychiatry for over ten years. He is the author of L\u2019h\u00e9ritage politique de la psychanalyse<\/em> (The Political Legacy of Psychoanalysis), published in 2018 by La Lenteur (and released in a second paperback edition by Amsterdam in 2025), and L’histoire populaire de la psychanalyse<\/em> (A Popular History of Psychoanalysis), published in 2021 by La Fabrique.<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”4%” bottom_padding=”0″ left_padding_desktop=”12%” constrain_group_2=”yes” right_padding_desktop=”12%” left_padding_tablet=”5%” constrain_group_4=”yes” right_padding_tablet=”5%” left_padding_phone=”3%” constrain_group_6=”yes” right_padding_phone=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”Films” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”0.1″ background_hover_color_opacity=”0.1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”black” animate=”yes”][divider line_type=”No Line”][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”left” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” offset=”vc_hidden-xs”][vc_custom_heading text=”26.07.2025″ font_container=”tag:h1|text_align:left|color:%23ddc18d” use_theme_fonts=”yes” css=”.vc_custom_1751114386542{margin-bottom: 10px !important;}”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”8 p.m.” font_container=”tag:h1|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751214098030{margin-bottom: 10px !important;}”][nectar_highlighted_text style=”scribble” scribble_shape=”basic-underline” scribble_thickness=”thin” scribble_speed=”1.8s” scribble_easing=”ease_in_out”]D.S.N. – Dieppe National Theater, free admission<\/em>[\/nectar_highlighted_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line”][vc_custom_heading text=”Screening: \u201cAfropoetics and Magical Futurism\u201d” font_container=”tag:h2|font_size:40|text_align:left|line_height:50px” use_theme_fonts=”yes”][vc_custom_heading text=”Session introduced by Katia Dansoko Tour\u00e9, author and journalist at Lib\u00e9ration” font_container=”tag:h5|text_align:left|color:%23282828″ use_theme_fonts=”yes” css_animation=”none” css=”.vc_custom_1751214132648{margin-bottom: 10px !important;}”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css_animation=”none” css=”.vc_custom_1751214150667{margin-top: 30px !important;margin-bottom: 30px !important;}”]At a historic moment when the future is unevenly distributed, magical futurisms draw on the powers of minerals and Mother Nature, the Internet and technology, ancestral rituals, science fiction, African mythologies, and the magic of the cosmos. They excavate energies, spirits, and invisible worlds, as well as thoughts buried by modernity and the ideology of progress, in order to rewrite new narratives. Afrofuturist and Sufifuturist movements, ecofeminist spiritualities, cosmogonies, and decolonial struggles seek to imagine what it would mean to decolonize the invisible after several centuries of secularization.<\/strong><\/p>\n

Afrofuturist artistic thought investigates the archives of the past while projecting itself into a science fiction future, proposing a spatial and temporal utopia advocating space adventure and intergalactic escape as alternatives for Africans and the diaspora, and as metaphors for the \u201cAfropolitan\u201d experience of forced displacement, migration, and cultural alienation. Kodwo Eshun argues in Further Considerations on Afrofuturism (1993) that “by creating temporal complications and anachronistic episodes that disrupt the linear time of progress, these futurisms adjust the temporal logics that condemn black subjects to prehistory. Chronopolitically speaking, these revisionist historicities can be understood as a series of powerful competing futures that infiltrate the present at different levels.” Magical futurisms thus seek to answer this question: what should we do once we abandon modernity and its dark side, once we renounce the narrative order that imposed this arrogant vision of progress?<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2336″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” mask_enable=”true” mask_size=”contain” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Katia Dansoko Tour\u00e9” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes” css=”.vc_custom_1751115805199{margin-bottom: 10px !important;}”][vc_column_text]Session introduced by Katia Dansoko Tour\u00e9<\/strong>, author and journalist at Lib\u00e9ration.
\nand preceded by a reading from La Solitude des notes bleues<\/em> by Katia Dansoko Tour\u00e9 (2025, Jean-Claude Latt\u00e8s)<\/p>\n

Before understanding who she is and what she wants, the heroine and narrator of La solitude des notes bleues (February 2025, JC Latt\u00e8s) was a lost, abandoned child, the product of a doomed union, growing up from one place to another, from one adoption to another, with music and an indigo blue boubou as her only consolations. This debut novel combines a quest for identity, female memory, magical realism, and melodies, in which music echoes the fragments of a shattered life. Each chapter of this novel corresponds to a piece of music, from Ambrose Akinmusire to Alice Coltrane, Matthew Halsall, and Alain Jean-Marie.<\/p>\n

Katia Dansoko Tour\u00e9, born on January 22, 1988, is currently a journalist at Lib\u00e9ration where, in addition to culture, she writes about social issues related to feminism and lifestyles. For nearly 15 years, she has focused on socio-cultural issues affecting the African continent, the French West Indies, and their diasporas, among other topics. Afrofuturism has been a prominent topic for more than ten years. She has worked for media outlets such as L’Obs, Slate Afrique, Jeune Afrique, Le Monde, Les Inrocks, and France Antilles Guadeloupe. These collaborations have taken her to Senegal, C\u00f4te d’Ivoire, Guinea, Mali, Guadeloupe, Martinique, and Dominica. She is now based in Paris, where, as a music lover, she has been collaborating with Jazz Magazine since 2015, after lending her pen and voice to So Jazz, Magic Revue RPM, Le Monde Diplomatique, Radio Nova, TSF Jazz, and others. She also writes for music festival programming in France (some of which she has also covered) as well as for musicians. She has written her first novel, La solitude des notes bleues, published in February 2025 by JC Latt\u00e8s, which won the Barb\u00e8s Prize for the best literary and unique work inspired by the world of music in June 2025.<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2347″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Nuotama Frances Dobono, Afronauts<\/em>, 16 min, 2014, Ghana<\/strong><\/p>\n

Afronauts is an alternative history of the space race of the 1960s, based on the true story of Edward Makuka Nkoloso’s Zambian National Academy of Science, Space and Astronomical Research, and his team’s attempts to be the first to send a rocket to the moon. In her own words, Nuotama Frances Dobono’s work features \u201clookalikes, imaginary friends, ventriloquist dummies, and non-institutionalized madmen who constantly disrupt society’s view of itself.\u201d Her first film, Boneshaker (2013), was nominated for an Oscar. In 2018, Bodomo was the writer and director of Random Acts of Flyness, an HBO series created by Terence Nance.<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2344″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Cauleen Smith, Deep West Assembly<\/em>, 34 min, 2024, United States<\/strong><\/p>\n

Cauleen Smith is internationally renowned for her works inspired by experimental cinema of the 1960s and 1970s, science fiction films and literature, as well as Afro-diasporic experience and thought.<\/p>\n

The Deep West Assembly explores the concepts of geological time and darkness as they are camouflaged in images, songs, and words by Black creators (based on thinkers such as Suzanne C\u00e9saire and Ryan C. Clarke). Incorporating images of geological formations such as lava caves, calderas, and salt domes, as well as man-made reliefs such as ancient Choctaw mounds, The Deep West Assembly depicts the American South as a horizontal \u201cDeep West\u201d (a term borrowed from poet Wanda Coleman). Smith situates this cultural Deep West in the Mississippi Delta, exploring Black cultural practices as relatives of indigenous traditions. Actress Dionne Audain embodies several voices\u2014guides\u2014who read, among other texts, Smith’s recent Volcano Manifesto (F Books, 2022) for the camera.<\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2376″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” img_link_caption=”yes” border_radius=”none” box_shadow=”x_large_depth” image_loading=”default” max_width=”custom” max_width_custom=”300px” max_width_custom_phone=”80%”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Josefa Ntjam, Dislocation<\/em>, 2022, 18 min, France<\/strong><\/p>\n

By seeking permeabilities between temporalities, histories, hybrid (and sometimes monstrous) bodies, and geographies composed of fragments of the known and unknown, Ntjam’s character Persona is subtly inhabited by memories and stories of her ancestors’ struggle for Cameroon’s independence. By reworking history based on unofficial, personal, and embodied stories, some of which have been silenced and set aside, the artist repairs the historical legacy by integrating repressed voices and narratives, bringing together fiction, memories, dreams, reality, myths, artificiality, and orality, which is strongly linked to sound, vibrations, and words in perpetual reconfiguration. Written and directed by Jos\u00e8fa Ntjam, in collaboration with Sean Hart and Nicolas Pirus.<\/p>\n

Jos\u00e8fa Ntjam is an artist, performer and writer whose practice combines sculpture, photomontage, video and sound. Drawing analogies between cosmic, geological and mental processes, Ntjam draws raw material for her work from biology, mythology, science fiction and photographic archives, reworking history from personal and minority narratives. In particular, she uses assemblage – of images, words, sounds and stories – as a method for deconstructing the grand narratives that underpin hegemonic discourses on origin, identity and race.<\/p>\n

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Mirage: Eigenstate weaves connections between similar research on the nature of reality, positioning Western science as one methodology among many in a constellation of pluralistic worldviews. The film explores various interpretations of reality\u2014from tropical Sufi mysticism and monorealism to theories of quantum mechanics. Edited in the style of the 1980s television series Cosmos by American astronomer and planetary scientist Carl Sagan, which sought to explain the origin of life and the fourth spatial dimension, Mirage: Eigenstate follows in the tradition of mass scientific communication, where complex concepts are made accessible through simple explanations, often accompanied by images.<\/p>\n

Riar Rizaldi is an artist and filmmaker. He works primarily with moving images and sound, both in the context of the cinema and in that of installation. His artistic practice focuses mainly on the relationship between technology, work and nature, worldviews, genre cinema and the possibility of theoretical fiction. His works have been presented at various international film festivals (including Locarno, IFFR, FID Marseille, Viennale, BFI London, Cin\u00e9ma du R\u00e9el, Vancouver, etc.) as well as at the Centre Pompidou Paris (2021), the Museum of Modern Art in New York (2024), the Whitney Museum Biennial (2024), the Taipei Biennial (2023), the Istanbul Biennial (2023), the Venice Architecture Biennale (2021), the Jogja Biennale (2021), the National Gallery of Indonesia (2019), and other venues and institutions. In addition, recent solo exhibitions and thematic programs of his work have been held at Gasworks in London (2024), Z33 in Hasselt (2024), the Centre de la Photographie Gen\u00e8ve (2023), and the Batalha Centro de Cinema Porto (2023), among others.<\/p>\n

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