{"id":2287,"date":"2025-05-21T11:19:39","date_gmt":"2025-05-21T09:19:39","guid":{"rendered":"https:\/\/www.impatiences.org\/?page_id=2287"},"modified":"2025-07-24T19:54:56","modified_gmt":"2025-07-24T17:54:56","slug":"ecole-des-impatiences-2025","status":"publish","type":"page","link":"https:\/\/www.impatiences.org\/en\/","title":{"rendered":"The School of Impatiences 2025"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”2248″ bg_position=”center center” background_image_loading=”default” bg_repeat=”no-repeat” full_height=”yes” video_bg=”use_video” video_mp4=”https:\/\/www.impatiences.org\/wp-content\/uploads\/2024\/09\/drapeau4.mov” background_video_loading=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”parallax” animation_movement_type=”default” column_parallax_intensity=”6″ bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ text_color=”#f4ece2″ line_reveal_by_space_text_effect=”letter-reveal-bottom” mobile_disable_animation=”true” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”THE SCHOOL” font_size=”12vw” font_line_height=”0.8″ font_size_tablet=”13vw” font_size_phone=”16vw”][\/split_line_heading][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ text_color=”#f4ece2″ line_reveal_by_space_text_effect=”letter-reveal-bottom” mobile_disable_animation=”true” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”OF” font_size=”4vw” font_line_height=”0.8″ font_size_tablet=”6vw” animation_delay=”200″ font_size_phone=”6vw”][\/split_line_heading][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ text_color=”#f4ece2″ line_reveal_by_space_text_effect=”letter-reveal-bottom” mobile_disable_animation=”true” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”IMPATIENCES” font_size=”12vw” font_line_height=”0.8″ font_size_tablet=”13vw” animation_delay=”200″ font_size_phone=”16vw”][\/split_line_heading][split_line_heading animation_type=”line-reveal-by-space” font_style=”h3″ text_color=”#f4ece2″ line_reveal_by_space_text_effect=”letter-reveal-bottom” mobile_disable_animation=”true” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”FESTIVAL OF IDEAS AND CONTEMPORARY CREATION” font_size=”2vw” font_line_height=”0.8″ font_size_tablet=”4vw” animation_delay=”200″ font_size_phone=”4vw”][\/split_line_heading][split_line_heading animation_type=”line-reveal-by-space” font_style=”h3″ text_color=”#f4ece2″ line_reveal_by_space_text_effect=”letter-reveal-bottom” mobile_disable_animation=”true” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”DIEPPE – July 26 \u2192 August 3, 2025″ font_size=”2vw” font_line_height=”1.2″ font_size_tablet=”4vw” animation_delay=”200″ font_size_phone=”4vw”][\/split_line_heading][\/vc_column_inner][\/vc_row_inner][nectar_icon icon_family=”linea” enable_animation=”true” animation_speed=”slow” icon_style=”shadow-bg” icon_color_type=”color_scheme” icon_color=”black” icon_padding=”20px” pointer_events=”all” icon_linea=”icon-arrows-slim-down-dashed” icon_size=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” offset=”vc_hidden-lg”][nectar_global_section id=”2288″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” 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SAVE THE DATES<\/h2>\n[\/nectar_scrolling_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f2c04d” scene_position=”center” top_padding=”2%” constrain_group_1=”yes” bottom_padding=”2%” bottom_margin=”5%” scale_desktop=”1.02″ rotate_desktop=”358″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” zindex=”20″ overflow=”hidden” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”parallax” animation_movement_type=”transform_x” column_parallax_intensity=”2.5″ persist_movement_on_mobile=”true” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default” column_padding_type=”default”][nectar_scrolling_text scroll_direction=”ltr” scroll_speed=”slowest” text_color=”#0a0a0a” style=”default” outline_applies_to=”text_only” text_repeat_number=”5″ text_repeat_divider=”space” text_space_amount=”medium” overflow=”visible” background_image_animation=”None” custom_font_size=”5vw” custom_font_size_mobile=”9vw”]\n

July 26 \u2192 August 03, 2025<\/h2>\n[\/nectar_scrolling_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” constrain_group_1=”yes” bottom_padding=”5%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]The School of Impatiences is a multidisciplinary biennial event that focuses on debates, contemporary thought, visual arts, literature, and poetry. It is a school without walls, open to all, based in Dieppe, Normandy. Through various formats of encounters (conferences, workshops, performances), the aim is to collectively shape the world to come, based on our social, ecological, and political impatiences, accompanied by the thinking of artists, researchers, and writers.<\/p>\n

The entire festival is free of charge.<\/strong><\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

With the participation of artists, philosophers, musicians, authors, poets, and psychoanalysts:<\/p>\n

Silvia Lippi \/ Fabrice Bourlez \/ Florent Gabarron-Garcia \/ Katia Dansoko Tour\u00e9 \/\u00a0Romain Noel\u00a0\/\u00a0Julia Ramirez Blanco\u00a0\/\u00a0Thomas Ferrand\u00a0\/\u00a0Julie Pellegrin & Loreto Martinez Troncoso\u00a0\/\u00a0Aur\u00e9lien Catin\u00a0\/\u00a0collectif Phoenix Queer\u00a0\/\u00a0Chuglu\u00a0\/\u00a0Louise Bentkowski\u00a0\/ Diane Ch\u00e9ry \/\u00a0Benjamin\u00a0Gizard\u00a0\/\u00a0Julia Ramirez Blanco\u00a0\/ Martin Le Chevallier \/ collectif des ami.e.s de Tal Piterbraut-Merx \/\u00a0Laure Gauthier\u00a0\/\u00a0Juliet Drouar\u00a0\/\u00a0Fr\u00e9d\u00e9ric Rambeau<\/strong><\/p>\n

And films by Nuotama Frances Bodomo, Cauleen Smith, Riar Rizaldi, \u00a0Alicja Rogalska,Milena Bonilla, Deborah Stratman, Josefa Ntjam<\/strong><\/p>\n

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<\/div>\n<\/div>\n[\/vc_column_text][nectar_cta btn_style=”see-through” heading_tag=”h5″ button_color=”default” button_border_thickness=”0px” link_type=”regular” alignment=”left” alignment_tablet=”default” alignment_phone=”default” display=”block” display_tablet=”inherit” display_phone=”inherit” link_text=”Subscribe to our newsletter!” url=”#newsletter”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”left” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2290″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” img_link_caption=”yes” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”2%” constrain_group_1=”yes” bottom_padding=”2%” bottom_margin=”5%” scale_desktop=”1.02″ rotate_desktop=”2″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” zindex=”20″ overflow=”hidden” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”parallax” animation_movement_type=”transform_x” column_parallax_intensity=”2.5″ persist_movement_on_mobile=”true” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default” column_padding_type=”default”][nectar_scrolling_text scroll_direction=”rtl” scroll_speed=”slower” text_color=”#0a0a0a” style=”default” outline_applies_to=”text_only” text_repeat_number=”5″ text_repeat_divider=”space” text_space_amount=”medium” overflow=”visible” background_image_animation=”None” custom_font_size=”5vw” custom_font_size_mobile=”9vw”]\n

Dieppe, Normandy<\/h2>\n[\/nectar_scrolling_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ constrain_group_1=”yes” bottom_padding=”0″ top_margin=”0″ constrain_group_7=”yes” bottom_margin=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][carousel script=”flickity” flickity_formatting=”default” desktop_cols_flickity=”6″ desktop_small_cols_flickity=”5″ tablet_cols_flickity=”4″ phone_cols_flickity=”2″ flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_icon_color=”default” color=”default” flickity_overflow=”hidden” flickity_wrap_around=”wrap” flickity_spacing=”default” flickity_centered_cells=”true” flickity_column_vertical_alignment=”default” column_padding=”10px” flickity_element_spacing=”default” flickity_image_scale_on_drag=”true” border_radius=”none” autorotate=”true” autorotate_type=”ticker” ticker_speed=”slow”][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634240-4″ title=”Item” tab_id=”1753379634240-4″][fancy_box box_style=”image_above_text_underline” image_url=”2334″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-26#Lippi”]\n

Silvia Lippi<\/strong>, psychoanalyst<\/span><\/p>\n

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<\/div>\n<\/div>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634253-9″ title=”Item” tab_id=”1753379634254-0″][fancy_box box_style=”image_above_text_underline” image_url=”2335″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-03#Ferrand”]\n

Thomas Ferrand<\/strong>, artist and botanist<\/span><\/p>\n

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<\/div>\n<\/div>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634262-0″ title=”Item” tab_id=”1753379634262-2″][fancy_box box_style=”image_above_text_underline” image_url=”2330″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-27#Pellegrin-Troncoso”]\n

Julie Pellegrin et Loreto Martinez Troncoso<\/strong>, curator and artist<\/span><\/p>\n

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<\/div>\n<\/div>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634269-5″ title=”Item” tab_id=”1753379634269-3″][fancy_box box_style=”image_above_text_underline” image_url=”2333″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-03#Noel”]\n

Romain No\u00ebl<\/strong>, author and art historian<\/p>\n

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<\/div>\n<\/div>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634278-1″ title=”Item” tab_id=”1753379634278-8″][fancy_box box_style=”image_above_text_underline” image_url=”2329″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-02#Gauthier”]\n

Laure Gauthier<\/strong>, writer and poet<\/span><\/p>\n

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<\/div>\n<\/div>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634286-0″ title=”Item” tab_id=”1753379634286-5″][fancy_box box_style=”image_above_text_underline” image_url=”2332″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-30#Chevallier”]\n

Martin Le Chevallier<\/strong>, artist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634292-7″ title=”Item” tab_id=”1753379634292-9″][fancy_box box_style=”image_above_text_underline” image_url=”2328″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-27#Drouar”]\n

Juliet Drouar<\/strong>, art therapist, artist, queer activist<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634300-1″ title=”Item” tab_id=”1753379634300-1″][fancy_box box_style=”image_above_text_underline” image_url=”2327″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-03#Ramirez-Blanco”]\n

Julia Rami\u0301rez-Blanco<\/strong>, art historian and activist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634306-1″ title=”Item” tab_id=”1753379634306-10″][fancy_box box_style=”image_above_text_underline” image_url=”2326″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-02#Rambeau”]\n

Fre\u0301de\u0301ric Rambeau<\/strong>, philosopher<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634314-7″ title=”Item” tab_id=”1753379634314-2″][fancy_box box_style=”image_above_text_underline” image_url=”2323″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-03#Chery”]\n

Diane Chery<\/strong>, artist<\/span>
\n<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634323-2″ title=”Item” tab_id=”1753379634324-8″][fancy_box box_style=”image_above_text_underline” image_url=”2325″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-26#Gabarron-Garcia”]\n

Florent Gabarron Garcia<\/strong>, psychoanalyst<\/p>\n

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Chuglu<\/strong>, artists’ collective<\/p>\n

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Fabrice Bourlez<\/strong>, psychoanalyst<\/span><\/p>\n

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Collectif Phoenix Queer<\/strong>, based in Dieppe<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634357-7″ title=”Item” tab_id=”1753379634357-10″][fancy_box box_style=”image_above_text_underline” image_url=”2320″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-02#Gizard”]\n

Benjamin Gizard<\/strong>, sociologist<\/p>\n

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Katia Dansoko Tour\u00e9<\/strong>, author and journalist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634376-9″ title=”Item” tab_id=”1753379634377-7″][fancy_box box_style=”image_above_text_underline” image_url=”2319″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-08-02#Catin”]\n

Aure\u0301lien Catin<\/strong>, author and activist<\/p>\n

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Louise Bentkowski<\/strong>, author and stage director.<\/p>\n

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What would it mean to consider children as political subjects, as full-fledged citizens? Could we combine our parentage, our genealogies, our family fictions in the future? How can we restore psychoanalysis’ powers of emancipation, creation, sisterhood, and tact? What might eco-pedagogy looks like? Can we write a different history of the birth of capitalism? Can we conspire, breathe together? These are some of the questions that will be explored at the 2025 edition, which will be held outdoors on the lawns of the Ch\u00e2teau de Dieppe, under a Bedouin-inspired tent, as well as during an evening of screenings at Dieppe Sc\u00e8ne Nationale.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634417-3″ title=”Item” tab_id=”1753379634417-0″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”100″]\n

As the issue of children’s domination finds its way into public discourse, can we consider children as a dominated class? From children’s republics, where communities largely inspired by progressive education and self-management, in which children elected governments and courts with experimental teaching methods that sought to imagine institutions of decision-making exercised by children, to the activist and environmentalist children of the 21st century, another history could be written, one that restores to children their power to act and be subjects of law. In Cui-cui (2025), novelist Juliet Douar imagines a utopia where children have the right to vote and decision-making power.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634427-4″ title=”Item” tab_id=”1753379634427-2″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”200″]\n

The collective of friends of philosopher Tal Piterbraut-Merx invites you to explore and read together his posthumous book La domination oubli\u00e9e (Forgotten Domination), which encourages us to collectively remember the children we once were in order to break the silence imposed on children.
\nBased on her story Constellucination<\/em>, author Louise Bentkowski will offer a writing workshop inviting participants to use speculative genealogy to rewrite different ways of reinventing our kinships and our \u201cfamily fictions.\u201d<\/p>\n

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While questions of mental health and care are becoming increasingly pressing today, psychoanalysts Silvia Lippi, Fabrice Bourlez, and Florent Gabarron-Garcia will discuss the contemporary repoliticization of psychoanalysis, which invites us to rethink psychoanalysis as an engaged practice, a \u201cliving therapeutic enterprise,\u201d drawing in particular on feminist thought.
\nThe School of Impatiences 2025<\/em> will continue its focus on ecological impatience and the vast cosmological project that now accompanies it. At the crossroads of environmental, ecofeminist, and anarchist thought, philosopher Benjamin Gizard will revisit new ways of recounting the origins of capitalism, while Fr\u00e9d\u00e9ric Rambeau will ask whether revolt is an archaism and how we can reappropriate the affirmative powers of archaism.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634448-5″ title=”Item” tab_id=”1753379634448-8″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”400″]While fear of archaism is widely used to discredit resistance to neoliberal reforms, archaisms can also harbor emancipatory potential.<\/p>\n

At a historic moment when the future is unevenly distributed, magical futurisms draw on the powers of minerals and Mother Nature, the internet and technology, ancestral rituals and science fiction, African mythologies and the magic of the cosmos. We will focus on these Afro-poetic cinemas and magical futurisms in the presence of author and journalist Katia Dansoko Tour\u00e9, and films by Nuotama Frances Bodomo, Cauleen Smith, Riar Rizaldi, Alicja Rogalska, Milena Bonilla, and Deborah Stratman. Artist and botanist Nicolas Ferrand will share his research on edible wild plants found in the city of Dieppe.[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634456-6″ title=”Item” tab_id=”1753379634456-9″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”500″]\n

Artist Martin Le Chevallier invites you to join him in reenacting gestures from his R\u00e9pertoire des subversions (Repertoire of Subversions), which lists a series of jubilant tactics invented by artists and activists. Part feminist fable, part ecological dystopia, and part futuristic tale, poet Laure Gauthier will give a reading and concert from her book M\u00e9lusine Reloaded. The Queer Phoenix collective will present a queer radio show, evoking local experiences in Dieppe, while poet Romain No\u00ebl, during a collective reading and writing session, will explore queer as a mystical concept. Co-author of a proposed law on income continuity for artists and authors and the more distant project of Social Security for Culture, Aur\u00e9lien Catin will offer a workshop on the economic status of artists.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634465-10″ title=”Item” tab_id=”1753379634465-6″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”600″]\n

Based on their research on dance and anarchy, and during a conference-performance-workshop, art historian Julie Pellegrin and artist Loreto Martinez Troncoso will invite us to connect, breathe, and conspire together. Art historian Julia Ramirez Blanco will revisit the artistic dimension of utopian revolts. With a background in performance art, the CHUGLU collective stages happenings in public spaces, moments where art and life merge, and will invite you to participate in these collective sharing experiences. Diane Ch\u00e9ry will close the festival with a collective performance-stroll between sky and sea, intertwining dance, painting, and textiles.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634474-4″ title=”Item” tab_id=”1753379634474-1″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”600″]The School of Impatiences<\/em> is a school without walls and without prior registration, open to all and for all. The School of Impatiences<\/em> places at the heart of its project our contemporary impatiences, which demands that we face up to climatic, social, and cultural challenges. Our impatiences in the face of urgency.<\/p>\n

Aliocha Imhoff & Kantuta Quir\u00f3s<\/p>\n

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Alicja Rogalska, The Feast<\/em> (2022, 41 min)<\/strong><\/p>\n

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Cauleen Smith, Deep West Assembly<\/em> (35 min, 2024)\u00a0<\/strong><\/p>\n

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Deborah Stratman, Last Things<\/em> (2023, 49 min)<\/strong><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634560-1″ tab_id=”1753379634560-9″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”2347″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-26#Films”]\n

Nuotama Frances Bodomo, Afronauts<\/em> (2014, 14 min)<\/strong><\/p>\n

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Josefa Ntjam, Dislocation<\/em> (2022, 18 min)
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Milena Bonilla, I Am Life and Life is Beautiful, Eden Hotel<\/em> (2022, 16 min)<\/strong><\/p>\n

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Riar Rizaldi, Fossilis<\/i>\u00a0(2023, 13 min)<\/strong><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634594-8″ tab_id=”1753379634595-2″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”2349″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/2025-07-26#Films”]\n

Riar Rizaldi,\u00a0Mirage Eigenstate\u00a0<\/i>(30 min, 2024)<\/strong><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1753379634601-3″ tab_id=”1753379634601-5″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”2533″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default” link_url=”\/en\/ecole-des-impatiences-2025\/exposition”]\n

Jos\u00e8fa Ntjam, Quantum Mecanic<\/em> (2020, 7 min)<\/strong><\/p>\n

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