The School of Impatiences<\/em> is a cross-disciplinary biennial event that gives a central place to debates on ideas, contemporary thought, visual arts, literature and poetry. It is a school without walls, open to all, based in Dieppe, Normandy. Using innovative encounter formats, the aim is to bring together a broad public as much as to collectively elaborate the world to come, accompanied by the thinking of artists, thinkers and writers. The “School of Impatiences” is the evolution of the Diep~haven festival.<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n With the presence of artists, philosophers, musicians, architects and authors, And the films by Paul Guillibert<\/strong>, philosopher<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127701-5″ title=”Item” tab_id=”1751112127702-8″][fancy_box box_style=”image_above_text_underline” image_url=”1243″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-30#Garzanti”]\n St\u00e9phanie\u00a0Garzanti<\/strong>, author<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127711-2″ title=”Item” tab_id=”1751112127711-6″][fancy_box box_style=”image_above_text_underline” image_url=”1238″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-01#Monnin”]\n Alexandre\u00a0Monnin<\/strong>, philosopher<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127719-2″ title=”Item” tab_id=”1751112127719-8″][fancy_box box_style=”image_above_text_underline” image_url=”1229″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-03#Ouassak”]\n Fatima Ouassak<\/span><\/strong>, political scientist and environmental activist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127728-1″ title=”Item” tab_id=”1751112127728-0″][fancy_box box_style=”image_above_text_underline” image_url=”1518″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-02#Maniglier”]\n Patrice Maniglier<\/strong>, philosopher<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127736-1″ title=”Item” tab_id=”1751112127736-1″][fancy_box box_style=”image_above_text_underline” image_url=”1622″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-02#Dvorak”]\n Simona Dvorak & Tadeo Kohan<\/span><\/strong>, curators and art historians<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127746-9″ title=”Item” tab_id=”1751112127747-3″][fancy_box box_style=”image_above_text_underline” image_url=”1239″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-02#Meziane”]\n Mohamed Amer Meziane<\/strong>, philosopher<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127755-3″ title=”Item” tab_id=”1751112127755-0″][fancy_box box_style=”image_above_text_underline” image_url=”1508″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-30#Cabel”]\n Rose Mah\u00e9 Cabel<\/span><\/strong>, artist, non-binary performer<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127764-8″ title=”Item” tab_id=”1751112127764-9″][fancy_box box_style=”image_above_text_underline” image_url=”1232″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-01#Wrona”]\n Xavier Wrona<\/strong>, architect<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127774-6″ title=”Item” tab_id=”1751112127774-9″][fancy_box box_style=”image_above_text_underline” image_url=”1512″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-29#Radosa”]\n Catherine Radosa<\/strong>, artist<\/span> Cl\u00e9mence Hollemaert<\/span><\/strong>, permaculture farmer-herbalist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127797-2″ title=”Item” tab_id=”1751112127797-5″][fancy_box box_style=”image_above_text_underline” image_url=”1514″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-29#Rotule”]\n Collectif Rotule<\/span><\/strong>, sound artists<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127809-6″ title=”Item” tab_id=”1751112127809-1″][fancy_box box_style=”image_above_text_underline” image_url=”1230″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-30#Comin”]\n Paula Valero Comin<\/strong>, artist<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127820-9″ title=”Item” tab_id=”1751112127821-8″][fancy_box box_style=”image_above_text_underline” image_url=”1613″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-01#Noce”]\n Elio Della Noce<\/b>, filmmaker, poet<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127832-6″ title=”Item” tab_id=”1751112127833-5″][fancy_box box_style=”image_above_text_underline” image_url=”1228″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-03#Darleux”]\n Corinne Morel Darleux<\/span><\/strong>, author, ecosocialist essayist<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127845-4″ title=”Item” tab_id=”1751112127845-2″][fancy_box box_style=”image_above_text_underline” image_url=”1606″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-07-01#tableronde”]\n Jean-Marie Durand<\/strong>, journalist and author<\/p>\n[\/fancy_box][\/item][\/carousel][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f4f1ed” full_height=”yes” scene_position=”center” top_padding=”0″ constrain_group_1=”yes” bottom_padding=”0″ top_padding_tablet=”16%” bottom_padding_tablet=”16%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”Edito” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#000000″ shape_divider_position=”top” bg_image_animation=”none” shape_type=”straight_section” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h2″ line_reveal_by_space_text_effect=”default” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Editorial”][\/split_line_heading][carousel script=”carouFredSel” easing=”linear” scroll_speed=”0″][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127886-0″ title=”Item” tab_id=”1751112127886-8″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-3″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large”]\n What do we have to give up today? Can art go on strike? Run away again, but to where? Desert or resign? What might an eco-pedagogy look like? These are just some of the questions that will agitate the 2023 edition of the School of Impatiences, the new formula of the Diep~Haven festival.<\/p>\n We’ll be back on the summer schedule, offering events and encounters outdoors on the lawns of the Ch\u00e2teau de Dieppe, as well as an evening of screenings at Dieppe Sc\u00e8ne Nationale. With the term “school”, we intend to follow in the long line of schools invented by artists, which have sought to renew modes of transmission and propose alternative forms of teaching, as well as to build community and develop networks of friendship and solidarity. We also understand the term “school” as a place where participants are active.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127899-6″ title=”Item” tab_id=”1751112127899-2″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”100″]\n On May 11, 2022, the video of eight students’ speeches at the AgroParisTech school of agronomy’s graduation ceremony went viral. In announcing their decision to renounce the professions for which they were now trained, these students attacked their school and the agro-industry behind it, politicizing their “defection” from these structures, while encouraging their peers to do the same. “Now you can branch out”, the young agricultural engineers concluded. More recently, other students have expressed their refusal to make a career out of an uncritical relationship with technology. Across France, collectives are trying to build meeting points for fugitives. From the Zad de Notre-Dame-des-Landes to architecture and agronomy schools, initiatives are multiplying to open up horizons for potential dropouts.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127911-0″ title=”Item” tab_id=”1751112127912-0″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”200″]\n In De l’esclavage au salariat<\/em>, philosopher and economist Yann Moulier Boutang shows that one of the main driving forces in the history of capitalism is the fixation of a constantly fugitive labor force, “the incessant reconquest of the landless peasant, the nomadic gypsy, the runaway apprentice, the deserting soldier, the runaway slave, the incorrigible vagabond and all those who resist discipline”.\u00a0 According to the d\u00e9sert’heureuses collective – a group of dissident engineers – running away is no longer simple desertion, but a new strategy of struggle. “Desertion is not so much a defeat as a way of getting rid of the gregarious element within us”, writes D\u00e9netem Touam Bona in his recent essay Sagesse des lianes<\/em>. To flee is not to put oneself on the run, but on the contrary to make the real flee, to operate an infinite number of variations to thwart any embargo (slide to read more).<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_url=”670″ simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127924-0″ title=”Item” tab_id=”1751112127924-3″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”300″]\n Deserting, renouncing, forking out, resigning, running away, in times of ecological upheaval, now appears to be one of the most elaborate responses of our time, and the invention of a grammar for future times. So, for the 2023 edition, we are inviting artists, philosophers, filmmakers, poets, writers, musicians, architects, farmers, etc. to explore different formats for encounters. These open encounters, usually held outdoors, are designed to broaden the scope of encounters with art, literature and contemporary thought. Participatory meeting formats (participatory workshops, plant walks, assemblies, lecture-performances, literary performances, etc.) will be favored alongside more traditional meetings (lectures, readings, round tables). Among these, the Rotule collective will open this edition with a concert whose central motif will be the fall.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127936-9″ title=”Item” tab_id=”1751112127936-10″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”400″]\n Philosopher Alexandre Monnin will pose the question of how to politicize renunciation. Herbalist Cl\u00e9mence Hollemaert will take you on a botanical stroll in search of edible wild plants in Dieppe. Philosopher Patrice Maniglier will propose a reading club based on a classic text by Kant, for a “terrestrial” cosmopolitics. Artist Paula Valero Comin will propose an “ecofeminist constituent assembly” for non-adults, a space for teenagers to express themselves, in collaboration with the Foyer Duquesne social center. Architect Xavier Wrona will propose a workshop on collages of urban imaginaries, asking what it would be like to follow the Zadist slogan “ZAD everywhere” to the letter. Author Stephanie Garzanti will offer a workshop on inclusive writing, working on the pronouns we use.<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127947-0″ title=”Item” tab_id=”1751112127947-6″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”500″]\n Author Corine Morel Darleux will help us think about how to create a “wilderness of our own”, a place where we withdraw from all human contact. We’ll take a look back at the experimental pedagogies of the 70s, but also at open-air pedagogies. We’ll take a closer look at experimental ecological and animist cinema, in the presence of poet and filmmaker Elio Della Noce. Artist Rose Mah\u00e9 Cabel crosses worlds and transforms into an arachnid creature for a performance. Artist Catherine Radosa takes us to a place of resistance to urbanization and the devastating appetites of the megalopolis. Simona Dvor\u00e1k & Tadeo Kohan seek to weave new narratives in Dieppe by inviting participants to contribute their own stories in the form of texts, poems, music, archives and objects linked to Dieppe’s history (political, family, personal).<\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127961-5″ title=”Item” tab_id=”1751112127961-4″][fancy_box box_style=”image_above_text_underline” image_aspect_ratio=”4-5″ content_color=”#0a0a0a” border_radius=”default” image_loading=”default” enable_animation=”true” animation=”fade-in-from-right” image_size=”large” delay=”600″]Philosopher Paul Guillibert looks at how living things are put to work, while Fatima Ouassak explores the idea of a pirate ecology, from the perspective of working-class neighborhoods. Philosopher Mohamed Ahmed Meziane will show us that it’s not enough to attribute a spirit to plants and animals to heal the ravages of extractivism. We also need to listen to the dragons and subterranean beings who play a central role in the living traditions that inhabit this land. Alyosha Imhoff & Kantuta Quir\u00f3s[\/fancy_box][\/item][\/carousel][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#000000″ full_height=”yes” scene_position=”center” top_padding=”0″ constrain_group_1=”yes” bottom_padding=”0″ top_margin=”0″ constrain_group_7=”yes” bottom_margin=”0″ text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h2″ line_reveal_by_space_text_effect=”default” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Screenings”][\/split_line_heading][carousel script=”flickity” flickity_formatting=”default” desktop_cols_flickity=”3″ desktop_small_cols_flickity=”3″ tablet_cols_flickity=”2″ phone_cols_flickity=”2″ flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_hide_indicator=”true” flickity_touch_total_icon_color=”default” color=”default” flickity_overflow=”hidden” flickity_wrap_around=”wrap” flickity_spacing=”default” flickity_centered_cells=”true” flickity_column_vertical_alignment=”default” column_padding=”0″ flickity_element_spacing=”default” flickity_image_scale_on_drag=”true” border_radius=”none” autorotate=”true” autorotate_type=”ticker” ticker_speed=”slow” flickity_autorotate_pause_on_hover=”true”][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128003-7″ tab_id=”1751112128003-1″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1610″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n Phytography<\/em> – Karel Doing (2020, 8 min)<\/b><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128018-6″ tab_id=”1751112128018-0″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1611″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n The Sun Quartet partie 1 : Sunstone<\/em> – Collectif Los ingravidos (2017, 8 min)<\/b><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128030-1″ tab_id=”1751112128031-0″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1609″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n El nido del sol<\/em> – Collectif Los ingravidos (2021, 5 min)<\/b><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128045-7″ tab_id=”1751112128045-1″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1191″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n Langue des oiseaux<\/i> – Erik Bullot (2021, 54 min)<\/b><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128059-5″ tab_id=”1751112128060-10″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1630″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n Le Ghetto exp\u00e9rimental<\/i> – Jean-Michel Carr\u00e9 & Adam Schmedes (1975, 101 min)<\/b><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128074-0″ tab_id=”1751112128075-10″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1509″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”default”]\n Campagne de Paris<\/em>, Paysage triangulaire – Catherine Radosa<\/span><\/strong><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128090-5″ tab_id=”1751112128090-3″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1598″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”lazy-load”]\n Ruptures<\/em> – Arthur Gosset (2021)<\/strong><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112128105-4″ tab_id=”1751112128106-10″ title=”\u00c9l\u00e9ment”][fancy_box box_style=”parallax_hover” icon_family=”none” image_url=”1697″ parallax_hover_box_alignment=”middle” parallax_hover_box_overlay_opacity=”0″ parallax_hover_box_overlay_opacity_hover=”0.2″ border_radius=”default” image_loading=”lazy-load”]\n <\/b>Mangrove School <\/i> –\u00a0<\/span>Filipa Cesar, S\u00f3nia Vaz Borges (2022)<\/b><\/p>\n[\/fancy_box][\/item][\/carousel][\/vc_column][\/vc_row][vc_row type=”full_width_content” 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\nCorinne Morel Darleux \/ Alexandre Monnin \/\u00a0Rose\u00a0Mah\u00e9 Cabel \/ Xavier Wrona \/ Patrice Maniglier \/ Stephanie Garzanti \/ Paula Valero Comin \/ le Collectif Rotule \/ Elio Della Noce \/ Paul Guillibert \/ Fatima Ouassak \/ Simona Dvorak & Tadeo Kohan \/ Mohamed Amer Meziane \/ Clemence Hollemaert \/ Catherine Radosa \/ Jean-Marie Durand<\/b><\/p>\n
\nErik Bullot \/ Filipa Cesar & S\u00f3nia Vaz Borges \/ Jean-Michel Carr\u00e9 \/ Karel Doing \/\u00a0Arthur Gosset \/ Colectivo Los Ingr\u00e1vidos \/\u00a0Luiz Roque<\/b><\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”1629″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” img_link_caption=”yes” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”2%” constrain_group_1=”yes” bottom_padding=”2%” bottom_margin=”5%” scale_desktop=”1.02″ rotate_desktop=”2″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” zindex=”20″ overflow=”hidden” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” 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\n<\/span><\/p>\n[\/fancy_box][\/item][item simple_slider_bg_image_position=”default” simple_slider_overlay_strength=”0.3″ simple_slider_bg_image_loading=”default” id=”1751112127785-9″ title=”Item” tab_id=”1751112127785-5″][fancy_box box_style=”image_above_text_underline” image_url=”1511″ image_aspect_ratio=”1-1″ border_radius=”default” image_loading=”default” link_url=”\/en\/lecole-des-impatiences-2023\/2023-06-29#Hollemaert”]\n
\nThe School of Impatiences is a school without walls and without prior registration, open to all and for all. The School of Impatiences places at the heart of its project our contemporary impatience, the impatience that demands that we face up to climatic, social and cultural challenges.
\nOur impatience to face up to urgency.<\/p>\n